#whatever happened to writing from experience

[s-4pphics]

drenched in white. (e.w.)

SYNOPSIS: after all your time alone, you’re finally not, but you’re definitely not prepared for your new life. [jackson AU]

WORD COUNT: 7.1K

WARNINGS: readers mute and taller than ellie, death, murder, blood, mentions of alcohol/starvation/hypothermia, a bit of gore, near death experience, trauma and sadness, brief girls kissing, some fluff because kids :)

A/N: tbh idk where this came from but i missed ellie so yeah prob wont write anymore of this but yeah 

—

Apocalypses are fucking stupid.

Humans are born into nothing, forced to run all their lives from blood-lustful beasts that can rewire their entire brain chemistry into one that sadistically matches theirs, and if that doesn’t happen, you die anyway with nothing but the clothes on your back and a horse with no rider. That’s fucking stupid. 

You weren’t alive when the world was thriving… presumably so — whatever the old world considered thriving. Those history books you stole in adolescence would argue otherwise, but there were some happy moments. On occasion. Maybe? Whatever. But you weren’t there, and you can only imagine how you would’ve turned out if you were. Would you be married? Have children? Own property? Businesses? Whatever other luxury the old world prioritized although it all seemed exhausting? 

Would you be an addict, a trainwreck, someone who had it all then nothing in the blink of an eye? That seems to be reoccurring in some of those biographies you found about people called celebrities. They have everything then die too young or way too old and eventually fade into a nobody, just like everyone else. History is so heartbreaking. Such cruel fate. 

You’ve been by yourself for a long time. Some would still consider you young, but you feel like a zombie that’s risen from the grave most of the time. You steal and live selfishly and waste your life reading because you can. You’re lucky enough to no longer have anyone you care about. Your recklessness doesn’t hinder anyone but yourself, so you read read read. Sometimes, you hunt for books more than you do for food. You’re not a fighter — it surprises you every day how you haven’t died yet — but a decent amount of people would consider you book smart. This one group you crossed paths with some years ago called you a genius because you’re self-taught in practically everything: reading and writing, starting fires, planting food, sewing, mapping plains. Whenever you’re harmed, you can heal yourself kinda. When you were 14, you stepped on a rusty nail and, instead of living the short remainder of your life as an amputee, you heroed through a disgusting infection that left you ill for 2 weeks, then sewed your own wound up. You couldn’t walk for days. 

That same group also called you mute. 

You don’t think you are, but rightfully so. There’s no one for you to talk to, so you don’t talk, simple as that. Everyone you knew died when you were a kid, maybe 7 or 8 — spending the majority of your life alone and in hiding doesn’t make for much conversation. Plus, the fucks that rule the Earth are nosy as hell. Being as quiet as possible is needed. 

Reading passes time. It’s the last phase of winter, but it’ll be Spring in no time, thanks to the bag you drag through snow: stuffed with one jacket, a rusted chef’s knife, and 46 different novels and counting. 

Your body’s gonna shut down on you. It’s so fucking cold and you’re barely layered but you haven’t finished The Cable Companies, One Hundred and One Best Songs. The pages filled with piano notes are almost enough to make you hear the songs… Or maybe the lack of nutrients is making you hallucinate. Guess you’ll find out when you finish. Just 22 more pages. 

No food, no water, no warmth, no antique piano. You’re fucked any direction you turn. 

There was a small cave somewhere around here. You used to sleep in it during the summer; the dark was always cooler. Maybe it’s buried underneath heaps of snow. You hope not. Fuck. 

The closer you get to the cavern, the grosser the air becomes. Death carries a certain mugginess. Why’d they have to die next to your one retreat? 

You drag and drag on like your legs weigh a ton all the way to the cave and… Great. 

Death and no entrance. Red coats the snow and it reminds you of the twisted tale of Snow White. The decaying carcass of a deer should alarm you, but you only sigh in defeat. Where the fuck are you supposed to read without disturbance? 

You only make it two more steps before you collapse face-first into ice. Your lungs wheeze in pain and you’re trying to get yourself up but you can’t. When you blink, you see colors. 

Is this death? Or karma? A squirrel runs past you just to rub it in. Furry little bitch. 

It’s only when your brain whispers for you to give up that you fully submerge into the snow. Small cries of pain are the only proof of your survival. 

Fuck everything. Fuck people, fuck people that turned into monsters, fuck all the stupid trivial shit that the other world loved so deeply. Call it jealousy. Everything’s for nothing nowadays. 

Your final thought before the world goes dark. 

—

Why is there annoying beeping in heaven? 

Maybe you’re naive in believing you made it there. Maybe this is hell. You thought it’d be more fucked up than this. The beeping is irritating though. Besides that, it’s peaceful. 

Is this an in between world? Half dead, half not. You remember being into paranormal shit in horror stories years ago. Ghostly entities and whatnot. Maybe you’re… that. There’s whispers in the background. Bleary and distant but you kinda hear them. Maybe someone’s conjuring you up. Why you of all people? 

“— ne… de…” 

Need? Your ears are failing. Why is everything suddenly hurting? Pain in your eyes and behind them and all the way down. It’s hurting everywhere. 

“—Jus… there… Not sure.” 

It’s hurts so bad everywhere make it stop make it stop —

BEEP BEEP BEEP BEEP BEEP BEEP

White overtakes your vision. Too bright and too cold and you can’t stop heaving but you want to because it fucking hurts everywhere

“Hey! Hey! Calm—” 

The voices are clearer and so is the beeping and so is the pain. Gentle hands land on your shoulders and you thrash when faces, needles and medical equipment clear in your vision. There’s something sharp in your arm. Where the fuck when the fuck how —

“You needa calm down—“

You try to tell this blonde freak to go fuck herself but your voice is shot, coughing and spit flying everywhere. 

“The fuck is her probl—“

“Be quiet—“

A crackling scream ripples through you, tears streaming down your face because suddenly more hands are holding you down. Malicious intent or not it makes you fucking sick. The beeping only gets faster. 

“MY — my name’s Maria! Listen to me! My name’s Maria! Some of mine went out on patrol a few days ago and found you almost buried. We’re tryna help you!” 

You continue to sob but they’re a little less guttural. Her voice is nice. Very motherly. 

“You were halfway dead out there,” She huffs like it’s funny and you wanna throw a chair, “What’s your name? Gotta name?” 

All the hands are off you except Maria’s. Maybe because you’re not trying to kick her face in anymore. You’re trying to tell her you don’t fucking remember but nothing comes out. Just more coughing. 

“Take your time. Deep breaths, shhh, you’re alright.” 

You finally meet her eyes and they’re pretty. Pale blue like spring water. The beeping starts to slow bit by bit. It took you all this time to realize that’s your heart. You glimpse at the monitor and… those squiggly lines mean fuck all to you. Why couldn’t you just die?

Your eyes travel, albeit less frantically, but on high guard. Skeptical as ever. You couldn’t even defend yourself against these incredibly polite barbarians if you wanted to. Your bag’s gone. Everything that’s yours is gone. The beeps increase all over again. Maria must sense your anxiety. 

“Hey, hey, we have everything. We just had to make sure you were… alright to come in. No bites or nothing, ‘k?” 

… Fair. Whatever. Gimme my shit. 

“We were snoopin’,” Your vision follows the new voice. A man this time, average sized and bearded, “Ya like t’read?” 

You squint and nod. 

“‘S a good habit.” 

… Awkward. It’s quiet now. 

“How ya feelin’? Any pain?” Maria pries gently. You shrug. Not as bad as it was 2 minutes ago. You eye everyone in here, study as much of them as you can. Face, hands, guns latched around their thighs and shoved in their belts. They’re all threats while simultaneously being unthreatening. For now, at least. 

“Y’all can get on. I got it from here.” She waves the remaining people off and they leave with tense smiles. The door clicks behind them. The beeping is the slowest it’s been since you woke up. 

“Bout that name…” 

You only stare at her. 

“Don't remember?”

You scratch at your neck, and she sighs, “Not much of a talker, huh?” 

You mime writing in a notepad, and Maria quirks with interest. She searches the room before digging through a drawer on the farthest dresser. She returns with a small book and marker. 

The aches in your fingers don’t halt your scribbling. You turn the book towards her. 

ARE YOU GOING TO KILL ME? 

The corner of her mouth lifts, “No point in fixin’ ya up if that was the case. No offense, but you’re not threatening.” 

You snort. 

“You been by yourself for a while?” 

You ponder before scribbling. 

I WATCHED MY FAMILY DIE. PRETTY FUCKED UP CHILDHOOD. I’M ALWAYS ALONE. 

She stares sympathetically and shakes her head in apologies. All you can do is shrug. You’d be more surprised if a kid grew up in this world without experiencing mass destruction. Trauma practically raised you. 

“There’s not many people that can do what you do, y’know? You gotta gift.” She jerks her chin at the booklet. “Somebody taught’cha?” 

You point to yourself. 

“Don’t let that head get big now.” She smirks and you smile sorta. 

“We got kids…” Maria blindly points towards the door. 

“A lot of ‘em, and we’ve been tryna get them to read more but… I don’t know, some of these old bastards think it’s pointless and that discourages them.”

Oh. 

“I don’t know what you got goin’ on out there, but… If you choose to go back out there, I won’t fault you, but if you don’t…” 

Uh oh. 

“How do you feel ‘bout teaching toddlers their ABCs?” 

… Shit. 

You scowl. 

“I know it’s not the best… position to be in but, I don’t know, I just want something they can look forward to everyday. A new story, some new conversations… anything to get their little brains crankin’.” 

“They’re so sweet and I feel like they’d gain so much from someone who cares just as much as they do.” 

You don’t write anything. Her pupils shroud with dejection. 

“Think about it?” She’s quick to turn away, but not without one last look over her shoulder, “Rest up.” 

And the door closes. Your eyes shut in no time, and a comforting darkness overtakes you once more. 

—

Leave with nothing but your annotated novels or stay where you’re well fed and warm but surrounded by snotty nosed orphans. Something to think about. 

You’ve been in Jackson — you learned the town is called — for less than 48 hours, most of which you were recovering from a severe case of hypothermia. You don’t remember the last time you had a meal that hot. Maria had to reassure you that no one would take your plate. 

You still haven’t given Maria a clear answer for her teaching proposal, but she doesn’t bug you about it. She is very eager to show you the daycare though. She’s subtle. You respect it. 

Your books are still couped up in the infirmary because, frankly, you hate dragging them everywhere. Maria offered for you to keep them in the library, but you refused. They’re not up for grabs; You nearly died for every single one of those pages and you’ll be damned if someone touches them under your nose. They’re yours. It’s all you got right now. 

You might even leave with a horse if Maria still likes you after telling her no to teaching. Tomorrow morning will wrap up your little dead-then-alive journey. Couldn’t hurt to ask. 

It’s your first time back outside since your near-death experience. The sun is barely peeking from behind the clouds and your face is so cold it’s almost retraumatizing, but it’s pretty out. Maria was nice enough to give you new boots that weren’t hanging on by their laces. 

Jackson bustles like a real, non-apocalyptic town. Lights shine and pick-ups honk and people are fucking smiling? Maybe this is heaven. 

Those walls… They’re still high and barricaded. Scouts babysit those gates like clockwork. To think you were on the other side of their scrutiny just a day ago. The twinkling sound of joy confuses the fuck outta you. Laughter. Not only that, but from children. Not starving, nearly dead children, but well-fed, genuinely happy kids. Why does your stomach twist with jealousy? They deserve peace, of course, but so did you. So does every child. 

Your eyes search for them — curiosity overtakes your limbs and you step with determination, guided by your ears. The twinkles grow in volume — there must be at least 10 kids playing in the snow. 

“HEY! GET OFF, YOU FU—“

“Language!”

“HOW’S THIS FOR LANGU—“

“BOYS! ENOUGH! I’M SICK OF YOUR SHI—!”

“LANGUAGE, MS. DINA!”

“I CAN SAY THAT! YOU CAN’T!”

What a sight this is. Happy kids. Your heart swells. Slightly; you’re glad Maria isn’t here to catch your fondness. 

“Alright, vermins, get up, I’ll miss the party.” 

“5 more minutes, pleeease!”

“I’m not freezing for you. C’mon!” 

The kids seem to love Ms. Dina. They dangle off every single one of her limbs, begging her to throw at least 10 more snowballs. Maybe your ice-cold heart isn’t as frosty as you thought. The sight is disgustingly endearing. 

“Ms. Dina… Who’s that?” 

And the laughter stops. A bunch of eyes attached to tiny bodies all gawk at you, some with intrigue, others with fear as they cower behind their teacher… babysitter? Whoever she is. 

“Not sure, dove. You all have 10 minutes!” 

“20!”

“10 or freeze to death! Go!”

Excited screams filter through the wind when said vermins squabble in snow like puppies, pushing and shoving and chucking icy bullets at each other. You never had to worry about being the oddball out, but you sure do look like one now. 

“Hey. Maria told us about a scrounger.” 

Creases bunch in your forehead, and Dina raises her hands defensively, “Joking, relax. So, are you staying, or…?” You shrug unknowing, and Dina chuckles. 

“I think you should. If I had the option to stay here 24/7, I’d take it in a heartbeat. We could use an extra hand with the kids. Maria said you read?” 

You nod. “Cool. We have a decent amount of readers — more than most, but, uh… yeah. Our kids need help.”

Your lip twitches alongside your pondering. So many questions rest on your tongue but none can leave. Dina’s eyes are consoling. It shouldn’t spark irritation in your stomach but it does. 

“Do you sign?” 

You stare in confusion, and she elaborates, “Like… Sign language?” Her hands make a bunch of gestures you don’t understand and your head shakes. 

“Darn. No worries. If you’re ever interested in learning, just holler. We got some people that are hard of hearing so we all kinda use it occasionally. But, umm… yeah. I’m Dina.” She extends a polite hand but you don’t accept it. Your head jerks in greeting, and she smiles. 

She drops it back to her side, “What should we call you?” 

You don’t know. You don’t care. You’re not staying long. Your shoulders rise and fall nonchalantly. 

“Should I have them pick?” 

Before you can oppose, she’s hollering for— 

“DYLAN! COME HERE!”

A rascal with a beanie and bright red boots sprints towards the two of you. His cheeks are so plush and scarred. Dina fixes the color of his sweater, “Dylan, what’s a good name for a teacher?” 

“Ms. Dina, obviously—“

“Another name.” 

Chipmunk Boy ponders for a moment before snickering, “Mr. Octopus.” 

“Fucking hell—“

“Language, Ms. Dina! SWEAR JAR—“

“We don’t even do that here!”

“Okay, okay… just call them Dove or something! Don’t think we don’t notice you calling us that when you forget our names!” 

Dina’s eyes widen, “That’s not true! What the… freak!” 

Red-Boot-Ranger smirks when Dina catches herself before getting pelted at the back of the head with a snowball. 

“Little BITCH—“

Dina shouts, “HEY!—“

“MS. DINA, FRANKIE CURSED!”

“NO, I DIDN’T—“

Arguments break out between all 13 children, loud and boisterous and your head pounds. Too much for one day. 

“STOP— sorry, I gotta handle this, but it was nice meeting you! BOYS—“ 

Dina throws you one last wave before rushing off to scold Dylan and his… bully? You think that’s what they were called in some books you read. A kid messing with another kid or something like that. 

You take this last bit of alone time before you depart to explore. 

Despite your eagerness to disappear, Jackson is nice. You don’t know what Christmas entails, but it’s often described as festive: a day for togetherness and family and whatever the hell else ‘can’t be bought’ yet everyone buys. Jackson is visually festive. Celebratory scenery. What exactly they’re celebrating goes over your head. There’s nothing to be joyous over. Death traps Jackson at every corner. 

Loud music pulls you from your thoughtful stroll. One look through a very large window is enough to scare you shitless. A seemingly cozy space is filled to the brim with strangers who dance and drink and laugh their heads off; Their familiarity with one another makes you physically ill. The scene is like a bullet to the chest. Reminds you of what was once home.

Your nausea doesn’t overtake your curiosity, though. 

The moment you step into the bar, warmth suffocates you, heat sizzling through your legs as your face defrosts. The entire bar screams out lyrics to a song you never heard while cups get refilled with burning liquid and it’s overwhelming. There’s so much movement. Too much. 

Blonde hair swings out the corner of your eye and you’re instantly relieved. You hustle to where Maria chats with partygoers from across the bar. She’s shocked to see you. 

“Hey! You’re up’n moving!” 

You wave awkwardly. Gawk back at the people that gawk at you before Maria hands you a glass. 

“You drink?” You deny with a raised hand, and she smiles. 

“Probably not the best time to ask,” She hollers over the jukebox, “I’m hoping this is your initiation?” Her eyes are hopeful, and your throat dries a bit. Why are you hesitating to answer?

Maria’s nice enough… probably the nicest stranger you’ve ever met in your entire life, and it seems more comfortable in Jackson than anywhere you’ve been. It doesn’t seem so bad… but you don’t like children. You barely liked yourself at age 10; short and clumsy and vulnerable. Children are too exposed and trusting, even in this life. They get people killed because they’re not careful. It shocks you that a fortress like Jackson carries so many. 

A pen and paper get slid on wood and placed in front of you. You eye Maria, and she nods encouragingly. You waste no time. 

I DON’T THINK I’LL BE A GOOD TEACHER. DINA HAS MORE PATIENCE IN HER PINKY THAN I DO IN MY ENTIRE BODY. I’M SORRY. 

You meekly hold the note up for Maria, and you know she’s disappointed. You patiently wait for her to tell you to get your shit so she can kick you out herself. 

It never comes. 

“I hope that girl didn’t scare you,” In reference to Dina, and you deny, “I had a feeling you’d say no. It’s alright. Kids are… a lot.” 

You set the paper down in relief that she’s not angry. About that horse… 

“Doesn’t hurt to ask… You still wanna leave?” 

That stuns you. Oftentimes, large groups aren’t so welcoming to… scroungers, or whatever Dina made you out to be. The less mouths to feed, the better. If a newbie holds no purpose, they’re left out to die on their own. It’s happened to you countless times. Why does she care about a stranger so much?

Maria chuckles at your stunned expression, “It’s, um… it’s hard out there. We’ve all seen it, and we’re lucky to have found somewhere… stable. It doesn’t come often.” 

“The choice is still yours, stayin’ or goin’, but if you’re scared I’ll kick you out… don’t be. We got nothin’ but space.” 

Your mind races yet not one cohesive response comes through. Maria laughs at your slack jaw. “Here. Sleep on it tonight, and let me know in the mornin’. It’s a party! Let loose a little. Go mingle.“

You scribble on the last bit of remaining space. 

I’M NOT A PEOPLE PERSON. 

Maria huffs, “Neither’s my niece. She’s like a niece to me, that one, over there.” She points at the end of the bar to a woman, girl — looks around your age, babysitting a drink: tatted, hair pulled back, and sulking. She talks with a guy with a mullet that’s too movie-star ready. “You two’d get along, I think. Her name’s Ellie. Jesse’s the one next to her, he’s a sweetheart. Very helpful. If Dina was here, they’d be the Three Musketeers. She still with the kids?”

You nod, but your eyes are locked onto Ellie’s tattoo. You’ve never seen one in person. In romance books, people with tattoos are always trouble: good in bed with murderous tendencies. Maybe it’s wrong to assume, but Ellie doesn’t seem like that. No one that pouty would kill a fly. You wonder if her friend has tattoos. He’d fit the stereotype more.

“Wanna meet ‘em?” 

Fire bursts underneath your cheeks. You vehemently shake your head at Maria, and mischief glints in her eyes. 

“HEY, ELLIE, JES—“

You gawk at Maria, tugging at her wrist for her to stop, but she laughs, “Hey, you two!”

Your face falls into your palm. “Need somethin’, Maria?” A deep voice blares. Jesse, apparently. Fucking great.  

“No, hun. Just introducing a new friend,” Maria whispers loud enough for you to hear before tending to other patrons, “Convince her to stay?” 

Your eyes roll and your heart pulses. 

“… Hey.” 

You wave weakly. Annoyed, and Jesse laughs. “Yeah, she’s a lot sometimes. I’m Jesse.” You send him a thumbs up. 

“… Gotta name yourself?”

You shrug with agitation. If someone else asks you that, you’ll scream. 

“… Hm. Okay, then. I’m gonna get another drink. Want one?” You decline as politely as your attitude allows. 

“You, El?” 

“M’good.” 

“Alright,” He hums too uppity, “Enjoy the quiet.” He goofs before following Maria to the other end of the bar. Silence ensues between you and Ellie, and it’s fucking awkward. It wouldn’t be if you were by yourself. You pick at the piece of paper in front of you. 

Ellie adjusts her stance, attention on the dance that dominates the floor, her tatted arm propping her up against the bar. You can see the fine lines out the corner of your eye: leaves of a fern resting underneath a moth. A Polyphemus. Compulsive. A symbol of death, you once read somewhere. Regardless, it’s beautifully done. 

“Want a picture?” 

You stiffen and your gaze drops to the paper. Your eyelids squeeze shut in embarrassment. 

Ellie releases a hefty breath before sighing, “You read?” She asks, and you shrug. 

“You don’t talk?” You do nothing. 

She already sounds annoyed by you. You hope she notices you’re in the same boat. “It’s better if you don’t.” She mumbles to herself. You throw a glare in her direction, but she pays you no mind. She’s focused elsewhere, eyes much more delicate. You discreetly follow her line of vision. 

… Dina. Hilarious. Is she a god here? Good with children and the annoying and aloof? Everyone here claps and hoots at her being dipped by her partner like they’ve never seen dancing before. When did she even get here? Where are the kids? Maybe they’re all snowballed out and went to bed—

… What. What the fuck? You don’t care, what the hell. 

You turn back to Ellie when Dina waves at her, wide-eyed and princess-y, before waltzing towards Jesse to throw her arms around his neck, which he eagerly returns around her waist. Ellie’s expression goes from lovestruck to tense in an instant, jaw clenched and eyes burning through the floor. You try to hide a snicker. 

Ellie’s jealous. Adorable. 

“The fuck are you smiling for?” She grumbles at you, but her cheeks burn under the yellow light. Your laughter finally bubbles over. 

“Nothing’s funny. Shut the fuck—“

“Well, what’d I tell you! Two wallflowers hittin’ it off! Look at that smile!” 

Maria graciously interrupts Ellie’s angered mantra. Your hand hides your grin before a light hand brushes your back. You flinch away on instinct. No one notices except Ellie. 

Dina greets you first and you almost holler with joy, “Hey, Dove! Sorry I didn’t come over earlier! Had to get this circus goin’ since no one else did,” She casually takes Ellie’s glass and downs its contents with no problem, “Thank you.” 

“Such a dick.” Ellie says slowly, and Dina smiles. “You love me.” 

You pinch your smile away. 

“Dove?” Maria inquiries. 

Dina shrugs, “Better than Doe. Makes her sound like a corpse. Dove’s cute.”

“Cute for a bitch,” Ellie slips under her breath, and Dina slaps her arm in scolding. Tames her until she quiets like an actual bitch. This shit is hilarious. 

“I like that. Dove.” Maria approves. “It’s… fitting. Joel found her buried in white, so.” 

“Okay, Mrs. Poet—“

Maria’s married? Huh. 

She hushes Dina playfully. The dark-haired girl interlaces Ellie’s fingers with hers before yanking her off the bar and onto the dance floor. The music slows as if cued just for them. Dina pulls Ellie into her, and Ellie’s hands rest on her waist. 

Dina leads, surprisingly. 

Ellie’s expression doesn’t scream delight. She’s nerve wracked and her eyes flit over every body that surrounds her with anxiety. Even yours. 

Dina’s a good distraction. She's quite seductive when she brushes loose hair behind Ellie’s ear, caresses her cheek, touches her with tenderness that you’ve only seen described on paper. Only in your imagination was it real. 

Kisses her.

Oh. 

You turn away. Your skin’s hot. Maria’s distracted. Thank God. You’ve had enough mingling for tonight. You leave the bar without a trace, the pen and paper left on the stand the only evidence of your appearance. 

“Hey! HEY! Ms. Dina’s friend!”

“They’re not friends, she just got here—“

“Shut up! Ms. Dina always said respect your olders—“

“Elders, dumbfuck. And she doesn’t look old—“

Ah, the potty-mouthed bully. Although, he doesn’t seem so threatening in the darkness. Children are the bane of your existence. You’re nowhere near the infirmary. Why are they out in the cold by themselves? 

“Hey, Ms. Dina’s friend, how was the party! Ms. M said we aren’t allowed to go in because people are… drunk, whatever that means!” 

The same voice from earlier. Red-boot-Ranger. Dylan. 

“It means they’re alcoholics—“ A girl this time. Shorter than Dylan but just as expressive. 

“I thought alcohol made people happy?“

“Could be, but my aunt drank herself to death so I guess it’s different for everyone!” 

Goddamn. 

“What’s your name, miss! … Ma’am?” Dylan corrects shyly. 

“Ma'am means grandma—“

“Ruth, shut the hell up, Jesus!” 

“NO, YOU SHUT UP—“

Dylan waits expectantly while the other two kids attempt to rip each other’s heads off. You flap your hands like wings. 

“… Fly? Your name’s fly?” 

You shake your head and point upward. 

“OH! Sky!—“

You wave your hands in denial and flap your arms while squawking. 

“… Bird? Bald Eagle? Um…” 

You yank at your hair in exasperation before pointing down at untouched, white snow beneath your feet. 

“Snow? Snow bird? Uhh… Swan… Lake?”

Decent guess. This fucking sucks. 

“I don’t know what your name is, miss, I’m sorry.” Fucking Christ, the poor thing looks so upset. You’re suddenly the worst human being on the planet. “Are you mad at me?” Dylan asks, voice laced with insecurity, and something cracks in your chest. What the fuck. Your hands wave in denial apprehensively, and he exhales a held breath before smiling. 

“I like you! Why don’t you talk?” 

You sigh before scribbling on your palm like you did with Maria, and all three kids excitedly demand writing utensils from each other. 

“I DON’T HAVE A MARKER!” Frankie hisses when Ruth slaps him on the shoulder. 

“DO YOU ALWAYS HAVE TO BE SUCH AN ASS? FREAKO!”

“Freako! ARE YOU FIVE—“

“What are you kiddos still doin’ up?” 

“MR. JOEL!”

Ruth and Dylan practically jump onto this old man and he groans mockingly. Joel. Hm. 

“You’re all supposed to be sleep. Did Dina not tuck you in?”

“She did, but we snuck out. We’re bored! Please throw snowballs at us!” Frankie whines. 

Joel calmingly caters to the children and their hyperactivity; his voice is very soothing. Gentle enough for the kids to accept that he’s not chucking snowballs at them this late at night. 

Joel addresses you. “Maria decided to keep you ‘round?” 

It was him. His eyes are calm and welcoming, but there’s a hollowness behind them. It’s hardly noticeable, but he’s bothered by something. He masks it well enough for the kids. He must be a dad. Maybe one of them is his. You just shrug, and he chuckles; crackles like fire. Breaks a bit. His eyes grow sadder the longer he stares at you. Is this man about to cry? 

“I’ll, uh… I’ll walk ‘em back,” He nods at Dylan who’s already half asleep on his shoulder, and you nod. He gives you one last look before turning. You clutch onto his hand before he can go any further. He seems shocked by the gesture, but you squeeze it with all your might. You hope every clench reads as a thank you thank you thank you. 

He swallows before nodding down at you, returning your gentle squeezes. The last breath he takes before leading the kids home is unsteady. Who broke that poor man’s heart? 

You watch his back all the way down the trail until the door to the bar slams shut. It’s Ellie all bundled up and seemingly about to strangle somebody. You can see Dina and Jesse scrambling to follow her through the window, but Ellie’s determined to get the fuck outta range. 

You don’t know why, but you whistle loud enough to get her attention. Her cheeks are blazing and her eyes are pained and angry. 

“The fuck do you want?” Her breath frosts with each spit she throws. You’re not really sure, so you throw her a thumbs up. Two just in case she read it as good work instead of are you good? 

She scoffs a laugh that sounds like a sob, “Fuck off.” And she’s off again. The opposite direction from Joel. 

Alright. Fuck her too. 

—

The past 5 days have been a blur. 

The morning after the party, your brain wracked to put every single interaction together but came up short. So much happened that you can barely grasp it. You died, came back, met at least 100 people, experienced acute peer pressure, and got cussed out by some short, tattooed psychopath with an equivalent amount of people skills as you. 

You’ve met teachers, medical professionals, rambunctious kids with a hunger similar to rhinos, a potential dad with an insane amount of patience, but all you can think about is Ellie and her fucking tattoo. 

You think that same moth appeared in your dream last night, flapping around and pissing you off. 

Maria’s been in a good mood, at least. Maybe because you’re staying in Jackson until further notice. You’re glad she didn't make a big deal about it: the inquiry was short and over breakfast the morning after the party. You slid her note that read CAN I STAY?, she said yes, and now you have a two story home all to yourself, floor stacked to the ceiling with your books and some she lent you. 

The first thing you did after she left was scream bloody murder for no reason other than relief. After years of instability, you finally have something consistent. You don’t know how to react to that besides weeping. 

There’s only one downside. Ellie’s your neighbor. Life will always humble you. 

She’s the first person you see every morning and the last every night and you hate it. The only time you experience true peace is when she’s out on patrol. To think you assumed Ellie wasn’t violent. She returned one morning on her horse covered knee-high in blood as she wiped her switchblade on her dirtied jeans. Even Jesse seemed intimidated. 

Meanwhile, you’ve been everywhere: tending the garden, handing beers out to men twice your age, fixing lights. Joel even asked for assistance on a car repair even though you’ve never seen one in your life. You both finished, though. Drives good as new. 

You think Dylan’s grown attached. He’s very clingy and you hate it but he also has the chubbiest cheeks you’ve ever seen so you have no choice but to forgive him for his sins. Whenever he jumps on your back while you’re squatted in front of the garden, you just deal with it. He rambles enough for the both of you. 

Now you’re serving dinner with a homophobe. Yippee. 

Seth sucks gorilla balls. When Maria first introduced you both, he thought you were deaf and asked if you had to be put with him. When you glared at him, he went red in the face. You understand why Ellie hates him. Apparently he called her and Dina dykes at the party and she and Joel almost strangled him. The canteen’s already filled with people, but the patrol group hasn’t returned. They usually make it back before sunset, but it’s dark now. Seth’s set on closing the kitchen down, but you decline everytime. They’re probably starving wherever they are. 

It’s not until an hour, then 2 passes when you wrap all 12 of their individual plates. 

You’re scared shitless, but it’s time for Dylan’s bedtime story. 

—

You always have to remind Dylan to keep his volume down during story time so he doesn’t wake the other kids. 

“Why would anyone give up anything magical for a cow? Okay, sure, you’re betting that they actually are magic, but why on Earth? I’d never give away my magic! Am I wrong, Ms. Dove?” 

You smile and deny. 

“SEE! Exactly! Anyway,” He refocuses on the page. “You numbskull! I can’t eat! You ruined my appetite!” 

Dylan’s a great reader, but he loses his place very often. You showed him the follow-your-finger trick and it’s helped, but the poor thing always has to comment on everything. At least he’s entertained. 

You don’t realize you dozed off on the floor until you’re frantically awoken by a teary-eyed Dylan. The big and small babies cry while they barricade the door with blankets and dressers. Your heart sinks. 

“Ms. Dove…” Dylan whispers. 

Screams echo from outside and the windows have orange hues. Something’s burning. 

“Someone bad is outside.” 

The patrol group is back. 

—

You don't meet Clickers often. 

They come and go and kill as they please and you don’t bother them, simply take your plans in the opposite direction as stealthy as possible. Even with your avoidance, they somehow always find their way back to you. Back to everyone. 

You hear everything from the daycare; hollering, gunshots, Clickers wailing, but you can’t fucking see. Protocol for a daycare lockdown is fairly simple: turn off the lights and take all the brats up to the nursery. It’s the most child-safe section of the building while simultaneously having a locked drawer filled with glocks. Great. 

Now you’re locked up with whimpering toddlers with a weapon you barely know how to use. If Joel hadn’t done that runthrough with you yesterday, you’d be fucked and so would the kids. You rock Dylan who sits on your lap while hushing the toddlers. You’re doing whatever you can to keep them quiet, but they’re babies who cry a lot. You hum to them, braid their hair, roll scratched-up dice but nothings fucking working. You never thought you’d regret staying in Jackson this early on. 

The younger ones start wailing when pounding on wood echoes from downstairs. Dylan holds you closer. 

Protocol is simple. 

Don’t open the door. Maria told you that. Keep it locked and don’t open it. 

The thuds get louder and so do the children and panic bombards you. It’s starting to feel too familiar. Those bangs are so fucking loud. Toddlers to 13 year olds are looking to you for guidance while you’re crumbling. How do you make them stop crying why won’t they stop fucking crying— 

Someone’s trying to beat the door down. Dylan’s practically choking you with his little arms as he sobs quietly into your neck. You don’t realize you’re crying until a small hand wipes your face and tiny bodies snuggle closer to you. 

Are you going to die surrounded by children all over again? One time wasn’t enough, God? The best moment of your life turns to the worst in a matter of seconds. You’ll have to run away like you did the first time. You should’ve never slid the note asking for more time with the kids under Maria’s door, fuck fuck fuck—

3 deafening pops bang from outside, and then there’s silence. It sounds like wood is breaking and there’s footsteps rushing upstairs and the babies are screaming so loud. When the nursery door lock gets shot off, Dylan screams right in your ear. 

“EVERYBODY OUT, LET’S GO!” 

“Mr. Tommy!” Relief washes over your kids before they start hustling. 

“OUT, OUT, LET’S GO!” 

All the kids scramble to grab their coats and socks and boots before rushing out of the nursery. Your hands won’t stop shaking. You barely get onto your feet before Tommy shoves you against the wall with fire for pupils. 

“You never fuckin’ wait to die when there’s kids around, you understand me!” 

You’re nodding but you can’t hear because you’re still sobbing. “Whatever bullshit you learned outside is over with now. It don’t matter what happens, always give them a chance to live even if it means you’re done!”

Tommy doesn’t waste another second on you. He leaves with a tense back and a rifle and you allow yourself to break. You heave and sob because that’s all you could do when you were a child and your brothers and sister were all killed in front of you. 

—

You vacate the daycare hours later. The doors need fixing. 

Your head and eyes hurt terribly but nothing compares to the emptiness in your chest. Maria told you that the kids would be separated into different houses until the daycare is safe for them again. Even she stares at you with disapproval despite her indifferent tone.

You feel like a ghost on the walk back home. Your hands are clenched in fists and your breathings slow. Why didn’t you stay downstairs and check the windows to make sure there were no intruders? Why weren’t you holding the gun in preparation for battle? Why’d you allow the kids to believe you couldn’t protect them? 

Because you couldn’t. In that moment, you were a child all over again, just as lost and confused and scared as they were. It was all too familiar. 

Jackson’s asleep, minus the painful groaning coming from behind Ellie’s home. 

You’re immediately in defense. So many patrol members had to go to the infirmary after their arrival. Maria never mentioned anything about Ellie. 

Your concern carries your feet until you round the corner, and her gun’s already drawn and pointed at you. That barely shakes you; it’s what surrounds her thats confusing.

She’s leant back against the foundation of her home surrounded by towels, a large bottle of clear liquid, and her profusely bleeding, non-tattooed arm that wraps around her stomach. 

When you take a cautious step toward her, her gun clicks. Her eyes are vicious and untrustworthy, and you know she’d kill you in a second. She watches every move you make down to the ragged rise and fall of your chest. You’re unsure how long you stand there before she winces in pain. It’s slight but you catch it. You slowly point to the open wound on her forearm. 

“What.” She rasps. You mime wrapping a bandage on yourself. Her snicker is pained. 

“Get the fuck outta here. You done enough for tonight.” 

You swallow thickly, unmoving. 

“Fuck off before I blow your brains out.” 

You take 2 more steps. 

“GET THE FU—“

When your knees hit the snow in front of her, she’s stunned silent. You’re already reaching for the bandage and bottle of disinfectant. You can’t see her injury that well, but she might need stitches if it’s still that bloody. When you reach for her injured arm, she pushes you into the snow. You groan in frustration before getting up and trying again. 

Ellie swallows a pained noise and maneuvers her injury away the closer you get. You’re trying to help her! Why’s she being so difficult! You crack open the disinfectant and your nose instantly burns. You gasp before moving the bottle away from your face. 

“Just go the fuck home, goddamnit—“

That’s not disinfectant. It’s acid. 

Ellie’s gun is still on you, but she’s not as steady. There’s a tremor in her weapon and her bottom lip is pinched between her teeth. Any movement she makes seems to hurt her. 

You move closer, and Ellie wheezes like an injured gazelle. It’s not until you see the small indentation when you realize her bleeding isn’t from a knife or a gun. 

Those are teeth marks. 

Ellie got bit. Your heart thrashes and your legs beg you to run. 

You know, and she knows you know. It’s a misunderstanding, it has to be. A human or a dog or a bear bit her, not a Clicker, not one of them. 

She smirks but it’s sinister. 

“If you tell anyone, I’ll tear out your windpipe and feed it to one of those fuckers.” Her head jerks towards the gate, and as if on command, the lot of them squeal into the night like hyenas. 

[sillymercury]

In the first tags it says most movies/books are not meant to be torn apart but I disagree completely. In fact I think most books/movies are made to dissected and understood on a deeper level. Because whether you like it or not and whether the author meant to or not, books/movies have themes and messages and many people enjoy finding them.

I don’t think it smart to write something(esp things so popular) off as mindless entertainment bc your being fed a message even if you don’t know it. There is nothing wrong with enjoying a book despite whatever message is being sent but when you blatantly ignoring the fact that these things exist is how propaganda propagates. If you are being intentionally fed a narrative without knowing you are likely to internalize it on some level which can be particularly dangerous. The danger presents itself abundantly in this day and age especially when you see people who have such hard stances but cant tell you/explain where those stances originate. Sns thrives off of the want to ‘turn your mind off’ and just consume/enjoy, but that’s never what actually happens. Your subconscious is still processing information but since you’re not consciously dealing with it that leaves room for issues like anxiety, depression, and personality disorder. This seems off topic but ‘mindless consumption’ isn’t a thing, your brain keeps score even when you don’t.

Also a book can have multiple “messages” and you can like some and not the others while still enjoying the piece overall. When I truly love a piece of media I acknowledge is flaws and shortcomings and can see the issues with a story/message while still enjoying it thoroughly. An example for me is I enjoyed the book The Picture of Dorian Gray while recognizing and rejecting the way the characters/book discusses and depicts women.

Like in Nestas book specifically, the main themes are empowerment (specifically female) and growth. This book was my favorite in the series and yet I can still acknowledge all the things wrong with it. Main character were incredibly hypocritical throughout the book, verbal abuse was seemingly over looked/excused, Stockholm syndrome parallels, etc. I identify these things but that still doesn’t detract from my experience instead, adds to it.

Another thing I wanted to mention before bringing this to a close; authors. For the sake of not rambling due to personal feelings I’ll just say, there is nothing wrong with calling out behavior or publicly disagreeing with ideals when it come to public figures. How it’s handled, whether it works, or it’s longevity is a different conversation but there is nothing wrong with speaking out against people in the public eye/people who create mass consumed media.

I understand your take, and I agree people take things way to seriously, but I think your frustration may be displaced. I think the issue with ACOTAR fandom specifically is the same issue with most fandoms. People are delusional, mean, and spoiled. People identify to hard or personalize characters/celebs to the point it becomes an parasocial and problematic. People are also very spoiled in the sense that we feel entitled to the things we want, like we deserve them intrinsically and when there is the threat of not getting what you want (esp is fandoms when discussing this almost mob mentality) or someone challenges your belief/opinion people lash out and get nasty, even feeling personally wronged but a differing stance. When you bring all of these things together it can get nasty very quickly. I’ve been and am still in so many fandoms that I hardly interact with because so much content is toxic or rage bait or whatever. Platforms like Reddit or discord where you can have controlled conversation with a group of people just as dedicated to a topic as you, and you can discuss thoughts and opinions in (what should be) a safe space is an incredible experience but most platforms don’t have moderation that can harbor that so then your left with a mess of often times toxicity and division.

I rambled and diverged a little bit but I thought hard about what I had read and this is what I came up with. Also I feel I should say I’m not a lit major lol but I am educated and I work hard to form my own opinions while still listening to other people takes. And that this is not an attack on op this is pretty much my stream of consciousness after reading the post and I am open to discussion.

my hot take as to why the acotar fandom is a shit show is because too many people with english degrees infiltrated and cannot read a book simply to enjoy it, they must pick it apart and analyze it to the point of just tearing it, the characters and the author apart. and gullible people adopted that same mindset.

in simpler terms: too many people take it way, WAY too seriously lol. like this series is meant for entertainment. sarah didn’t write classic literature with underlying themes on morals and society that’s meant as think pieces. y’all do too much and can never just enjoy things. you’re like the cinephiles that cannot just watch a movie for entertainment purposes, you need citizen kane otherwise you’re shitting on everything because it’s not up to your snobbish standards

[quantitative4rts]

I've been going insane based off of some implications from one of Monique's videos, which is this one.

your obligatory bad gore doodle you are welcome 🫡 but i needed to get this idea out so whatever

whole rant under here guh. Spoilers to one event (Abandoned Kerfur) in 0.8.1

Even if there's different lore related junk, this is mostly what I interpret it as so shrug.

I think that Dee definitely got snatched in some way and put into that one abandoned Kerfur robot that you can find buried. I THINK that the gore and guts inside of it are Dee and I have very limited evidence but I DONT CARE he's special to me.

(Text reads: Bloody robot. Even if there's a lore reason, I still think Dee got shoved into the robot and was trying to get help.)

No body found on the ENTIRE property, but his Kerfur was still trying to communicate with home base? What if Dee was shoved into that robot fucking FNAF style and was trying so hard to get help, but no one could understand him. Bleeding out, stuck inside of a machine with no chance at being saved... With how insane other topics in the game are, I think it's possible for Dee to have possessed that robot and that's why he attacks Kellin. I think that the robot attacking Kellin was just an unconscious response by the machine and Dee's anger at being abandoned.

Now I know that you can buy the orange Kerfur after defeating the abandoned one... But what if Kel decided to salvage this abandoned, bloody robot? I think Kel would be willing to go through hell to repair this thing, fix its broken paneling (from Kel beating the shit out of it with a crowbar,) and give it its own Kerfur-O body. Maybe he just wanted another robot, but he wanted to save it in some way. Eventually in some way it would be revealed that this robot has some aspect of Dr. Dee in it.. The guy who died with no care by the organizers of these experiments, the guy who was there at the base before Kel... And just imagine him seeing this early 20s enby guy just fucking thriving out in the mountains.

I've been thinking about these guys for a while and making my own characterization of Kel and shit so who cares if it's non-canon. Here's some fun facts about Dee from whatever this is. An AU maybe. Idk. Let's call this the Dr. Dee lives on AU. (DDLO.)

I'm fairly sure the abandoned Kerfur model might be thinner / slightly smaller than the one you can buy, so imagine a grown human skeleton being shoved into that thing.

With that in mind, Dee's Kerfur-O shell is missing its right arm, which shows off the internal gore and his right humerus bone. Super fun!

His eye also pops out of the fucking screen cause I wanted it to.

He used a cane for the first two weeks because he could not remember how to walk (It had been only two months but being half alive in a robot will do that to you.)

Once he got mobility back, he started to do tasks around the base for Kel. These included cleaning up trash that he left around before dying, collecting scrap for his shell or just for other projects Kel has in mind.

Kel gives him weekly journals to write in to document his experiences and to keep him half sane as crazy shit happens around them. Dee probably has insane panic attacks considering what happened to him while he was ALIVE THERE.

Kel ordered so many materials to make extra scrap (to make Dee another arm,) from the store that Ena had to send him a message asking what he was using it all for. Obviously he lied cause otherwise Kel and Dee would probably both be killed.

Dee is very appreciative of Kel and claims that "He does more for me than that company ever did."

After two weeks of being reanimated, Kel eventually just gave up on making another arm and just welded Dee's open wound shut with extra metal. He also started wrapping Dee's screen with bandages to cover the eye. Mainly so it wouldn't possibly get infected, but also because it was slightly freaking Kel out.

ok that's all I have developed for now, I will have more later maybe depends on how obsessed I get over them again. i have been playing votv nonstop i do not know how I have not gotten one of the forbiddens yet

[bekolxeram]

Unfortunately, I don't have the means to donate this time, (Stupid expensive health issues🙄) but I'd still like to express my gratitude to Bucktommy and this fandom for the occasion.

Not that my life has ever been sunshine and rainbows, but 2024 has been particularly difficult for me. I started the year the sickest I've been for years, then one of my uncles passed away in February. He was 88. He had been slowly succumbing to dementia for quite some time, so almost everyone agreed a cardiac arrest was a blessing in disguise.

I wasn't close with him, but my mother was, and naturally, I had to spend pretty much the entire March accompanying her to all sorts of traditional ceremonies for the dead. All my uncle's children, my cousins, came back from abroad as well. They enjoyed hanging out with me back when I was a toddler, but then I slowly grew up into this weird, moody kid of few words, and we kind of drifted apart from there.

Family reunions were never awkward despite my gloomy existence though, they had their fun aunt who never ran out of things to talk about. To them, my mother's the life of the party and an exemplary woman, who went through tragedies in life but still manages to come out stronger on the other side, who unfortunately had to re-enter the workforce later in life to support her physically ill husband and her mentally ill teenage daughter.

What they don't know, is that while she's a fun aunt, she's not a fun mother. She was dealing with the stress and frustration so well because she always had an outlet at home. Someone she had total ownership over, officialized by a piece of birth certificate. Someone she could do whatever she'd like to, emotionally and physically, because in my culture, it's simply an alternative, maybe outdated method of parenting, not a crime.

I've had time to process my messy relationship with my mother, I've come to (mostly) accept it for what it is. Watching my cousins all rushing over to my mother with open arms to console her, watching my cousins' children playing around, having fun with her, while my existence was barely acknowledged, was actually more triggering than I expected. It acted as a sobering reminding that not only do I have merely a handful of friends since I left church, I in fact don't have any family left either. They're all my mother's family, not mine.

It was probably the most lonely and isolating experience in my life. It's like I was trapped inside of my head, my head that was gradually turning into a bottomless pit of nothingness.

Then Tommy Kinard drove through cross town traffic just to clear the air in person. He expressed how much he wanted to be a part of a family. Then he took his shot and got the boy in the end.

I just felt... understood. Watching Bucktommy's story play out on screen gave me some rare moments of joy and much needed hope. I felt like if Tommy could find happiness later in life, maybe it wasn't too late for me either.

If you've had experience with depression, you'd know how sometimes getting out of bed, brushing your teeth feels like an uphill battle already. Motivation is precious and hard to come by. I was so motivated creatively by Bucktommy and people in the fandom who resonated with the story just like me, that I wrote series of posts analyzing every scene in S7, I learned how to make gifs to illustrate the humor I found in all of us, I figured out how to edit video especially for my vision of a Brad-nado, I even wrote and posted my first fanfic ever.

And I just love how we refuse to give up hope, even after the breakup. We cried, we whined, then we doubled our effort writing fix-it fics, continuing their story on our own terms. Now, we even manage to raise thousands of dollars for charities in 24 hours in the name of love.

Sorry for the wall of text all about myself, I hope I don't come across as a self-absorbed jerk. I always thought I would never make it to 30, it started feeling like a real possibility in March. What happened instead was that my 30th birthday came and go because I was too busy screaming about Buck batting his eyelashes at Tommy when he was receiving a medal.

I'm sitting here, typing this out, looking back at my 2024 at the end of the year, only because Bucktommy happened and I had the pleasure to cross path with you all. I know, it's stupid, it's just a TV show, but I can't really imagine how my life would turn out if I never had Bucktommy, where I would be right, or even if I would still be at all.

So, thank you, for making life worth living for me again.

[lith-myathar]

.

[longagoitwastuesday]

ngl it sort of pisses me off the way adults regard Gojo in Jujutsu Kaisen at times. Which could be a very interesting and poignant point in a good way if well written, but as it is it becomes mainly just frustrating and sad in a negative way.

Nanami saying Gojo never cared about anything or anyone other than himself crashes interestingly with Kusakabe saying the whole situation was just all his fault because he refused to kill Itadori. The students are very aware of those aspects of Gojo's personality, but overall they seem to regard him with way more kindness and fondness even when at their rudest, not truly coinciding with either Nanami's or Kusakabe's views.

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[benetnvsch]

i love how bones always animates Kunikida with pointy lil teeths- that's so cool and sexy of them - so have this,,, crooked pointy teeth Kunikida,,,, ough yea :sadthumbsup:

(not sure if i actually like this or am just Used To It after staring at it for hours until 5 am - the sketch did not look like him SOLELY bc I couldn't draw his hair right and the smile threw me off LOL - also also,, my requests,,, are open as always- even if u sent before and haven't gotten to it yet I prommy I read and appreciate and will get to them when I have more time )

[childactress]

a list of media inspired by, about, or loosely adapted from the life of mara banks:

a number of mid-quality songs by mid-quality bands and the mid-quality ex-boyfriends/lovers of mara's. that subgenre of rock/alt/indie/knockoff fall out boy that tells one-sided stories about attractive but damaged^tm girls with daddy issues who outright ruined the guy's life. accuracy and scathingness vary from song to song. you've heard one or two on the radio before their shelf life was up.

a comedy stand-up routine from one of mara's Big Exes. he never identifies her by name, she's this actress i was with for a while. they're less insulting and more utterly damning by their truthful (sometimes exaggerated for the sake of a laugh) reports of her unstable, mara-typical behavior during their time together, and she becomes a recurring joke throughout. she snuck into a show once, sat and sipped at the far-off bar with a far-off look, and stayed for about ten minutes. when he later landed a deal with netflix to film and release a stand-up special, he didn't include the routine in the material; mara doesn't know if that makes her feel better or worse.

starstruck: the banks story. a lifetime movie released a handful of years after arthur and donna's deaths, capitalizing on the tragedy in the hasty way that lifetime movies do. cheap, gently exploitative, the bad type of campy. it made mara (and her sister) pretty angry at the time, but now on a good day she can watch it with a bottle of wine and laugh at the sheer inaccurate nerve. the character of mara isn't around very much and is laughably depicted as a docile sweetheart rather than the spitfire that even pre-end times mara was.

mr. and mrs. banks. a 2020s biopic that also features young mara only briefly, instead covering her parents' marriage and careers with a thematic focus on their tragic love story in tinseltown. it's not a bad piece of work at all, written by a highly-regarded husband and wife duo. a turning point in mara's life: she possessively pursues and wins the role of her own mother, blonde wigs and all. it's a deeply emotionally invasive experience, obviously. and weird as hell falling in fake love with her own dad('s on-camera imitator). she turns in a hell of a performance and comes out the other end with a better reputation and a renewed if slightly cautious interest in hiring her, having reminded hollywood that hey, this girl can act. her world turns inside out, a psychological reckoning. she shakes off some bad habits, picks up a couple others; she dyes her hair blonde during the press tour - a suggestion from a studio suit to emphasize her natural close resemblance to her mother and thus promote public interest in the film (the americans who still remember the complete banks family unit: that's her now? wow, she looks just like her mom.) sadly, fatefully, she lives a long time seeing her mother in every mirror she passes, which has exactly the effect on her psyche that you think. an actress who came back from the dead even deader. tragedy come full circle. meet the new mara banks. a much, much slower kind of car crash.

[dreadfutures]

I say this as someone with mental disabilities, sometimes you just gotta take the L and do it. Maybe it'll cost you and send you into negative spoons but sometimes you gotta. We have a human debt we owe to one another and we have to fight for each other.

Disabilities make things hard to do safely, without pain, etc. Where you can, seek accomodations, ask for help, live your life, and do good in the world in the ways you can.

What we can't do with our disabilities? We can't sit here and wallow and use them as a shield.

[emdotcom]

I changed my mind. Hater behavior is undeserved, when it comes to works, & idgaf about holding creators accountable when their games are mid, anymore.

[chiropteracupola]

tell me if you think I'm breathing good...

[collaboration with @dxppercxdxver again]

[andyridgeley]

looking at job descriptions and having flashbacks to when i went to a job fair and they stopped talking to me when i said i had an english degree

[keeps-ache]

oh brother. kinda sucks to have multiple creative interests and you can only do One but it's not the one you want to do at the moment </3

[pygmi-says-hi]

STOP DOING THIS IN INJURY FICS!!

Bleeding:

Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.

it’s slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

seizures (severe)

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

ALSO I FORGOT LEMME ADD ON:

YOU DIE AT 85F

sorry I forgot. at that point for a sustained period of time you're too cold to survive.

pt 2

also please stop traumadumping in the notes/tags, that's not the point of this post. it's really upsetting to see on my feed, so i'm muting the notifs for this post. if you have a question about this post, dm me, but i don't want a constant influx of traumatic stories. xox

[juniperhillpatient]

Writing is so funny because u can explore ur trauma & issues & deepest fears but it’s never ever in the ways people would think. It’s subtle. It’s nuanced. It’s about vibes more than literal events. If u read my stories with the impression I was using writing to dissect my issues??? Well you’d probably walk away thinking I have an entirely separate set of issues from what I actually have.